Dark Ritualistic Cacophony: Mitochondrion - Parasignosis

We're winding down towards the end of the year. I need to step up my posting. My goal was to hit at least twenty posts hopefully summarizing 2011 for me in music, but it's tough considering I've listened to so much music and there's not a lot of time for reviews. Thus I'll try to summarize in the next few posts what I feel were some of the better albums of 2011.

Parasignosis was set for an early 2011 release but leaked in late 2010, making it memorable this December because I was listening to it fervently around this time last year. This album shows a rather large progression in Mitochondrion's sound coming from the more primitive Archaeaeon, which is one of my favorite albums for that reason alone. On Parasignosis there's a more cohesive album theme, the rhythmic qualities of Archaeaeon's stellar riffing are downplayed for more "impressive" guitar embellishments, and those layered vocals are as colossal as ever.

The driving theme behind Parasignosis is a dense, dark ritualism stemming from a sort of self-empowerment. Sounds almost like a near-bestial self-help book right? "Pestilentiam Intus Vocamus, Voluntatem Absolvimus" as I guess tracks 1-3 are formally titled sets the ritual in motion with a collection of droning riffs, bizarre leads, and even bells. Part III - "Tetravirulence" is undoubtedly one of the greatest tracks of 2011 and easily the best on the album with it's absolutely mesmerizing collection of cult chanting and drone riffs layered on a titanic slab of black death metal. This track summarizes Parasignosis pretty well and is surprisingly powerful lyrically too (yes I give a shit about lyrics in metal). All three parts deal with the concept of quelling inner sadness and negativity, progressing to an "enlightened" state through ritualism.

The drone aspect of certain tracks really nails this ritualistic theme home. The last half of the title track is a great example of this, as is "Banishment (Undecaphosphoric)." The last twenty or so minutes of Parasignosis really capitalize on this with "Kathenotheism" and the odd choice out "Ambient Outro." I still question as to what possessed Mitochondrion of all bands to have an ambient outro on one of their albums, but it serves as a decent if overly long and forgettable conclusion to one of the more dense death metal albums of 2011.

The production here is intense. It almost has an "epic" feeling, with all the chanting and the immense multi-layered vocals. The guitars are more present in the mix than they were on Archaeaeon, however the riffs are not nearly as memorable or as evocative. I feel like on Archaeaeon, the music worked best as individual instruments and as a cohesive structure, while on Parasignosis there's only a lot of the latter. I guess that would make Parasignosis the more cohesive experience, but an arguably weaker one.

9.25 out of 10

Tracklisting:

1.	Plague Evockation (Pestilentiam Intus Vocamus, Voluntatem Absolvimus Part I)
2.	Lex Ego Exitium (Pestilentiam Intus Vocamus, Voluntatem Absolvimus Part II)
3.	Tetravirulence (Pestilentiam Intus Vocamus, Voluntatem Absolvimus Part III)
4.	Trials
5.	Rift/Apex
6.	Parasignosis
7.	Banishment (Undecaphosphoric)
8.	Kathenotheism
9.	Untitled
10.	Untitled
11.	Untitled (Ambient Outro)

Antediluvian - Through The Cervix Of Hawwah

Finals are coming to an end, meaning I can finally update on a regular basis soon! Get excited. I'll be updating two-three times a day to make up for the shit I missed. Meanwhile enjoy one of 2011's best.

Unpredictable and cavernous, alien but all-too-familiar, Antediluvian stirred up the bowels of creation and shit primordial soup all over my face with this glorious 2011 release, Through The Cervix Of Hawwah. The murkiness of this release isn't a testament to Incantation as it seems to be for a lot of death metal in 2011, and instead it builds an atmosphere described only by the words "archaic" and "fucking awesome."

After Antediluvian's barely mediocre 2010 release Watchers' Reign I was less than thrilled to sit through another forgettable death metal album. Through The Cervix Of Hawwah is Antediluvian doing a full 180, exploring tasteful tempo changes, fun time signatures, and a degree of dark brutality that is unmatched by anyone that isn't fellow Canadians Mitochondrion. As opposed to the completely ritualistic, cult-like feel of their rivals' music, Antediluvian's atmosphere is significantly less droning and evil, and more bizarre and amorphous. Vague descriptions aside, this stuff is killer. "Intuitus Mortuus" is the very meaning of abyssal and that riff at around ~30 seconds gets me every time. Songs like "Gomorrah Entity (Perversion Reborn)" features dissonances that all coalesce into a sonic maelstrom that pulls you down into the centre of the earth. This isn't the only song with those traits either, as pretty much every track on Through The Cervix Of Hawwah shares this atmosphere, making it a coherent and enjoyable record from start to finish.

As with most bands of this style, there's a lot of black metal influence in the drumming, and ironically it's also where most of the brutality comes from with the winding blastbeats and fills. Running at a mere 36:16, Through The Cervix Of Hawwah is the perfect length for this intense black/death metal, and it keeps the album from feeling exhausting. The high-gain guitar and the organic feel of the production really pounds home that "Abyss Of Organic Matter" feel (dohoho). Easily one of the best releases of 2011, you'd have to be a degenerate to not pick this up.

9.0 out of 10


Tracklisting:

1.	Rephaim Sceptre...
2.	...Through the Cervix of Hawaah
3.	Intuitus Mortuus
4.	Scions of Ha Nachash (Spectre of the Burning Valley)
5.	From Seraphic Embrace
6.	Luminous Harvest
7.	Turquoise Infidel
8.	Gomorrah Entity (Perversion Reborn)
9.	Erect Reflection (Abyss of Organic Matter)